I love how much depth Deus Ex has. I'm playing it once more and noticed a few existentialist references in Paris, in the La Porte de l'Enfer cafe:
- the club owner's name is Kiergard Tarot, which is an obvious reference to Soren Kierkegaard, the first real existentialist. 'Tarot' may be a reference to Blaise Pascal (another such thinker, and famous mathematician and physicist) and his 'wager', since tarot cards are just that, cards, and also used for fortune telling so they have a mystical element. Pascal never thought of the wager as means to 'make' somebody believe, rather, he meant to show that it is impossible to make someone believe in God. All 'proofs' of God are unconvincing, and the wager, while being much better than any proof, comes across as even more dubious and hollow. It goes like this: I can believe or not -> if I believe but there is no God, I haven't lost much in life, however if God exists I gain everything -> if I don't believe and God doesn't exist good for me, but if he does, I get eternal punishment -> therefore the safest bet is to believe. So the 'tarot' might be a reference to that. Or it's just a random last name!
Anyhow it fits with this game since it's about conspiracies and things hard to believe in - or far to easy, depending on the person.
- the same club owner says he thinks he has struck a perfect balance between the apollonian and dionysian, an obvious reference to Nietzsche. Apollo is the god of reason and order (MJ12?), and Dionysius of wine, life and the irrational (Illuminati?), and these two aspects or 'forces' battle in each of us and in history itself. JC Denton might himself be viewed as a balance between them, a mixture of human flesh and nano-technology. Also the Helios merger is an obvious symbol for this balance. Nietzsche's thought in itself mixes well with the game: man is something to be overcome, he is a bridge to the over-man. Overcoming humanity is a theme of the game.
- the name of the cafe translates to The Gate of Hell. This may be a reference to JP Sartre and a line from his play No Exit (Huis Clos): hell is other people (l'enfer, c'est les autres). It's a great play (you should read it!), and that quote isn't meant to be misanthropic. In the play three people die and go to hell, and it's just a room. Constantly aware of each other, they have to endure each others' judgements against them for eternity - they were put there together because they don't fit as personalities. 'Hell' is constant observation by another - it is the conflict between me, that is, my self-image, and the way that other person sees myself. My freedom is thus denied, because my own self-image may be tainted by the knowledge that another person hates me, or thinks I'm a fraud - or even worships me. But that's not me. Sartre calls this the 'Look'. Can you see the connection to Morpheus? Morpheus says humanity WANTS to be observed: first by God, then each other, and then a sentient, judging and all-seeing AI. But that is Hell, according to Sartre. So, do humans really want to be themselves? Would they rather identify with how God/the masses/a machine god sees them?
That's all I got, I hope you enjoyed it. Back to DX now!